“Ring Around the Rosy” may refer to the swollen cysts that afflicted the sick during the Black Death.
You might be recalling an ancient Welsh king in “Old King Cole” who drowned in a swamp 1700 years ago, and in “Little Miss Muffet” the daughter of a bug expert in Shakespearean England, or a queen beheaded for her Catholic faith in “Mary Mary Quite Contrary.” These stories have undergone so many changes over the centuries that these meanings –if they did originate in these long-ago dark circumstances –are mostly obscured.
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“Many of these songs were not originally for children,” says Kay Vandergrift, Professor Emerita of Children’s Literature at Rutgers University.
Most of these songs were part of an oral-based society that relayed news, spread coded rumors about authority figures, and worked out its moral dilemmas (for kids and adults) in rhyme and song.
And existing nonsense rhymes that were part of this oral tradition could be used or adapted to make references to current events.
It was in the nineteenth century, when Victorian society sentimentalized childhood and romanticized “quaint” times from the past, that most nursery rhymes were written down and presented as for children only.